So last week I had a slight Gackt-related meltdown. You see, I had a very busy November, and somehow I managed to miss the announcement that he’d be releasing an album in December; I found out the day before it came out. Considering how long I’ve been waiting for this album, I couldn’t believe I’d completely missed it. Can you say fandom fail?
Anyway, RE:BORN has nothing new as far as material goes; the tracklist is composed of songs from the multitude of singles he’s put out over the past year. (And when I say multitude, I’m not even exaggerating: the songs on this album come from six singles, and that’s not even counting the other three he put out this year. He’s been very busy, not that I’m complaining.) A majority of the songs came out in June over four straight weeks of singles, which I meant to review and then never really got around to the last three. So it’s high time to do that now, I say.
Well, hello there, Syunikiss. I’m sorry for the long break in posts — I was swept up with end-of-semester schoolwork until about a week ago, and since then I’ve been slacking off. Sad, but true. In any case, I do plan on posting here more this summer, so look out for more posts to come soon! In any case, I’ve wanted to write this review since I got the album, so here we go.
When Ayumi Hamasaki’s tenth full-length album, NEXT LEVEL was announced, I fully expected to hate it. After all, I was already pretty irritated with my Ayu fandom, and had been for several months. When “
Not long ago pengie posted